HEIMKIND: I would say that these processes are still in their infancy. In the last few years I've actually always been able to do things that make you one of the first. I think that's still the case today, although something like artificial intelligence has been around since the 60s. These concepts can be implemented much better today, because of course you also have the computing power to deal with them. In addition, there are the different networks that you can connect to make certain processes visible. Funnily enough, when you do something like that, you're still in an area that just didn't exist before. Here we do exactly that; I try to work with the programmers like I usually work with the artists. They have the space and I'm trying to get the tools they need. They don't use a brush, but a sensor system that can make statements about the networks and a programming code that is saved. Yesterday Janis (member of the OZM Collective), the Doctor of Computer Science is that he came up with how he manages to make the AI (Artificial Intelligence) think about itself. Here we try that the visitor deals with himself on the one hand and on the other hand interacts with a being of the building. This AI-controlled "being" should have the ability to control the building by talking to visitors, controlling the temperature and lights, and recognizing faces through biometrics and letting them in. The AI would also partly take over my job of reporting on the artists and their works, giving hints, so that there is also an inspiration. In the end, personal experience matters. It doesn't work without them. It works in art mir primarily to inspire people.